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modern Russian fine arts styles and movements --- Art --- anno 1910-1919 --- anno 1930-1939 --- anno 1920-1929 --- Russian Federation --- Russische revolutie --- propaganda --- communisme --- avant-garde --- geschiedenis --- 1917 - 1932 --- 20ste eeuw --- Rusland --- Russia --- Kunst --- Sovjet-Unie --- 1918-1945 --- Propaganda --- Politiek --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Film --- Geschiedenis --- Voorlichting --- Literatuur --- Oorlogspropaganda --- Russische revolutie. --- propaganda. --- communisme. --- avant-garde. --- geschiedenis. --- 1917 - 1932. --- 20ste eeuw. --- Rusland. --- 20e eeuw

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Introduction to Public History: Interpreting the Past, Engaging Audiences is a brief foundational textbook for public history. It is organized around the questions and ethical dilemmas that drive public history in a variety of settings, from local community-based projects to international case studies. This book is designed for use in undergraduate and graduate classrooms with future public historians, teachers, and consumers of history in mind.The authors are practicing public historians who teach history and public history to a mix of undergraduate and graduate students at universities across the United States and in international contexts. This book is based on original research and the authors? first-hand experiences, offering a fresh perspective on the dynamic field of public history based on a decade of consultation with public history educators about what they needed in an introductory textbook. Each chapter introduces a concept or common practice to students, highlighting key terms for student review and for instructor assessment of student learning. The body of each chapter introduces theories, and basic conceptual building blocks intermixed with case studies to illustrate these points. Footnotes credit sources but also serve as breadcrumbs for instructors who might like to assign more in-depth reading for more advanced students or for the purposes of lecture development. Each chapter ends with suggestions for activities that the authors have tried with their own students and suggested readings, books, and websites that can deepen student exposure to the topic.Bron: https://rowman.com/isbn/9781442272224/introduction-to-public-history-interpreting-the-past-engaging-audiences

Public history --- Applied history --- History as a science --- education --- history [discipline] --- historiography --- communication [function] --- participatory action research --- citizen participation --- exhibiting --- audiences --- History --- Geschiedenis --- Didactiek --- Amerika --- Lokale geschiedenis --- Historisch denken --- Musea --- Cultureel erfgoed --- Maatschappelijke vorming --- Historische kritiek --- Museum --- Kunst --- Azië --- Nederland --- China --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Voorlichting --- Literatuur --- Public history - Textbooks

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Demystified: The European Ceramic Workcentre as Centre of Excellence' deciphers for the first time the specific and fundamental reasoning for the successes behind this world leader. It describes the complex system of operation that exists throughout the entire organisation, a system that has matured and been refined over the course of the previous four decades. It explains how such an ideal working environment has developed, why this is unique to the EKWC, and why such excellence in practice is difficult to find in other related organisations around the world. Rather than focus attention on the already documented, innumerable results and artefacts of countless collaborations and working partnerships over previous decades, this survey describes with text and a comprehensive image base how it is that such results have been achieved. It explains how the nature of this work is influenced by prevailing circumstances and decision-making, be they of a logistical, directorial or theoretical nature. It is a demystification of previously unidentified interrelationships which explains how the interactive nature of an organisation such as the EKWC impacts on those working within it, and subsequently how it influences a much wider community outside.

738.039(492) --- Europees Keramisch Werkcentrum (EKWC) ; 's-Hertogenbosch ; Oisterwijk --- 738.038(492) --- Keramiek ; Nederland ; The European Ceramic Workcentre ; geschiedenis --- Keramiek ; 2000 - 2050 ; Nederland --- Keramiek ; 1950 - 2000 ; Nederland --- Sculpture --- studio ceramics --- ceramics studios [organizations] --- The European Ceramic Workcentre [Oisterwijk]

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Explorations of the “formering” of the West in contemporary art in the post-communist, postcolonial, posthuman, post-ideological, and posthistorical era. What has become of the so-called West after the Cold War ? Why hasn't the West simply become “former,” as has its supposed counterpart, the “former East” ? In this book, artists, thinkers, and activists explore the repercussions of the political, cultural, and economic events of 1989 on both art and the contemporary. The culmination of an eight-year curatorial research experiment, Former West imagines a world beyond our immediate condition. The writings, visual essays, and conversations in Former West―more than seventy diverse contributions with global scope―unfold a tangled cartography far more complex than the simplistic dichotomy of East vs. West. In fact, the Cold War was a contest not between two ideological blocs but between two variants of Western modernity. It is this conceptual “Westcentrism” that a “formering” of the West seeks to undo. The contributions revisit contemporary debates through the lens of a “former West.” They rethink conceptions of time and space dominating the legacy of the 1989–1990 revolutions in the former East, and critique historical periodization of the contemporary. The contributors map the political economy and social relations of the contemporary, consider the implications of algorithmic cultures and the posthuman condition, and discuss notions of solidarity―the difficulty in constructing a new “we” despite migration, the refugee crisis, and the global class recomposition. Can art institute the contemporary it envisions, and live as if it were possible ? Contributors include : Nancy Adajania, Edit András, Athena Athanasiou, Zygmunt Bauman, Dave Beech, Brett Bloom, Rosi Braidotti, Susan Buck-Morss, Campus in Camps, Dipesh Chakrabarty, Chto Delat?/What is to be done?, Jodi Dean, Boaventura de Sousa Santos, Angela Dimitrakaki, Dilar Dirik, Marlene Dumas, Keller Easterling, Charles Esche, Okwui Enwezor, Silvia Federici, Mark Fisher, Federica Giardini and Anna Simone, Boris Groys, Gulf Labor Coalition, Stefano Harney, Sharon Hayes, Brian Holmes, Tung-Hui Hu, Wendy Hui Kyong Chun, Sami Khatib, Delaine Le Bas, Boaz Levin and Vera Tollmann, Isabell Lorey, Sven Lu¨tticken, Ewa Majewska, Suhail Malik, Artemy Magun, Teresa Margolles, Achille Mbembe, Laura McLean, Cuauhtémoc Medina, Sandro Mezzadra, Walter D. Mignolo, Aernout Mik, Angela Mitropoulos, Rastko Mocnik, Nástio Mosquito, Rabih Mroué, Pedro Neves Marques, Peter Osborne, Matteo Pasquinelli, Andrea Phillips, Nina Power, Vijay Prashad, Gerald Raunig, Irit Rogoff, Naoki Sakai, Rasha Salti, Francesco Salvini, Georg Schöllhammer, Christoph Schlingensief, Susan Schuppli, Andreas Siekmann, Jonas Staal, Hito Steyerl, Mladen Stilinovic, Paulo Tavares, Trinh T. Minh-Hà, Mona Vatamanu and Florin Tudor, Marina Vishmidt, McKenzie Wark, Eyal Weizman.

kunst en geschiedenis --- postcommunisme --- neokolonialisme --- cultuurfilosofie --- cultuurgeschiedenis --- gender studies --- feminisme --- internet --- kunst en economie --- economie --- 7.038/039 --- postmodernisme --- communisme --- postkolonialisme --- kolonialisme --- kunst en politiek --- kunst --- politics --- art history --- philosophy of art --- Art --- anno 2000-2009 --- anno 2010-2019 --- anno 1990-1999 --- Kunst --- kunstgeschiedenis --- politiek --- kunstfilosofie --- Art et politique --- Recherche --- Communisme --- Colonialisme --- Analyse de l'image --- Conflit --- Art contemporain --- #breakthecanon --- communism --- political art --- postcolonialism --- Postmodern --- social criticism